Birch and Cotton String
4 ft x 13 ft x 2 ft
2021
Ribbon
10 ft x 12 ft x 12 ft
2021
Ribbon
10 ft x 12 ft x 12 ft
2021
Ribbons with Stamped Text
8 ft x 8 ft x 8 ft
2021
Ribbon with stamped Text
8 ft x 8 ft x 8 ft
2018 an ongoing installation
Ribbon with Stamped Text
8 ft x 8 ft x 8 ft
2018-
Water, Oil, Ink and mixed media
7 ft x 15 ft x 5 in
2020
Water, Oil, Ink and mixed media
7 ft x 15 ft x 5 in
2020
Mashkiiziibii Bad River water
Gete Gititaaning Garden Land soil from reservation
GichiGami Large Waters or Lake Superior water
Ribbon and found objects
7 ft x 5 ft x 3 ft
2017-2018
Mashkiiziibii Bad River water
Gete Gititaaning Garden Land soil from reservation
GichiGami Large Waters or Lake Superior water
Ribbon and found objects
7 ft x 5 ft x 3 ft
2017-2018
6 ft x 6 ft 2 ft
Wire
2019
6 ft x 6 ft 2 ft
Wire
2019
Water and mixed media
4 in x 8 in x 12 in
2016
Oil and mixed media
8 in x 7 in x 4 in
2016
My approach to sculpture is about endurance, resiliency and healing. The techniques are labor-intensive and process driven. I deliberately push my body to its physical limits because of blood memory. It is my body reenacting ceremonies that are grounded in repetition, dance and movement. It is through the repetition of forms and text I find healing.
Creating Multiples with text and sewing on wood panels
Press mold of 1000 feathers stamped before pit firing
In process. Still an ongoing project.
Greenware Press Mold Guns
Multiples of eggs for future project
Clay and mixed media
8 in x 12 in x 3 in ea panel
2016-2017
70 hand pressed clay cuffs
Clay and mixed media
10 in x 24 in x 24 in
2016
70 hand pressed clay cuffs
Clay and mixed media
10 in x 24 in x 24 in
2016
70 hand pressed clay cuffs
Clay and mixed media
10 in x 24 in x 24 in
2016
Clay and text
10 ft x 24 in x 24 in
2018
Clay, wax and string
8 ft x 7 ft x 5 in
2019 an ongoing installation
Clay, wax and string
8 ft x 7 ft x 5 in
2019 an ongoing installation
Clay, Wax, Watercolor and Cotton
2020
